Chaumet & Japan
A precious journey to the Land of the Rising Sun
Japan fascinates Chaumet.From the Japanese art forms admired by Marie-Étienne Nitot to the Maison’s own creations inspired by their spirit, this unique connection spans the centuries.An appreciation for beauty unites them. Nature inspires them.Between Paris and Japan, a common vision of what is precious flourishes.
1793
A first glimpse of Japan
Marie-Étienne Nitot, founder of the Maison, was tasked with cataloguing Queen Marie-Antoinette’s collection of artworks. These included Japanese lacquerware and porcelain. From the very beginning, Japan has played a part in Chaumet’s history.
A fascination takes hold. And only gets deeper.
Writing case, the poet Ono no Komachi (834–900) in ceremonial dress and ideograms by François Rémond (1747–1812) – Louvre Museum (Paris). © 2001 GrandPalaisRmn (musée du Louvre) / Martine Beck-Coppola
1868
1912
A breath of fresh air from afar
During the Meiji era, Japan opened up to the West. Chaumet combined its own style with the elegance of Japanese culture, which attached the same importance to fine craftsmanship.From Prince Hirohito to Marquess Maeda and Baron Matsui, the Maison’s prestigious Japanese clientele bore witness to this budding rapport.
A new source of inspiration. A bond set to last.
Design for a Japanese-inspired headband featuring kirigami motifs, 1900s; graphite pencil and gouache on black paper – Chaumet Collections (Paris)
1901
A unique piece of jewellery
Chaumet created a belt buckle with rare virtuosity. On it, the god of thunder Raijin appears in the clouds and strikes, with his articulated arm, an opal drum held by a geisha carrying a parasol. Emerald-centred rose blooms, set diamonds and agates were used to compose this exquisite miniature scene.
A spectacular creation. Myth becomes High Jewellery.
Japanese-style “Raijin” brooch, 1901; gold, agates, opals, rubies, emeralds and diamonds – Chaumet Collections (Paris). © Pauline Guyon
1974
A new chapter on Japanese soil
After agreeing its first commercial partnership with a Japanese distributor, Chaumet entered the Japanese market. The Maison began making a name for itself there. The signing of a contract with the Mitsukoshi department stores (1983) took this presence to a whole new level. Chaumet was represented in four retail outlets: Nihombashi, Osaka, Nagoya and Sapporo.
The bond takes root. And never stops growing.
Artist’s impression of the Chaumet boutique at the Nihombashi Mitsukoshi department store (Tokyo), around 1985 – Chaumet Collections (Paris)
2018
An enduring bond
The Chant du Printemps parure celebrated the rebirth of nature, a key source of inspiration for Chaumet that resonated deeply with Japan.In the same year, Chaumet celebrated this history in Tokyo with the exhibition The Worlds of Chaumet.
Ties are strengthened. And continue to shine.
2025
Chaumet in Osaka, Kansai
For the World Expo in Osaka, Kansai, the Maison continued its centuries-long dialogue with Japan, demonstrating the depth of their bond. The scenography for the event was created entirely from washi paper, paying tribute to the richness of Japanese craftsmanship.
A story from long ago. The promise of new chapters yet to be written.
